Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.

Oliver Masucci stars as Uri, the alpha male of a kibbutz and one of the pioneers of the state of Israel. He and his wife Anna (Ania Bukstein) decide to leave behind their traumatic past as Holocaust survivors and start a new life in Israel. They keep quiet about their past for 25 years, until the day when Israeli spy agency Mossad forces Uri to return to Germany and infiltrate a cell of SS veterans with the aim of locating the Nazi war criminal, Mengele, who managed to escape at the end of World War II. 　　Nicknamed the ‘Angel of Death’, Mengele became known for performing deadly experiments on prisoners at Auschwitz. He eluded capture in spite of extradition requests by the West German government and operations by Mossad, and died in 1979 under a false name.

The story takes place on a quiet peninsula away from Buenos Aires, where more than the first generation of Russian Old Believers live, preserving their language, faith and way of life. The main characters are real opposites: she is an Old Believer who lives by the rules of the community, and he is a policeman, an emigrant from Russia, who knows no mercy for criminals. They were not destined to meet, but their paths crossed…

The unbelievable true story of Rudolf Manga Bell, an African king who leads a rebellion against Kaiser Wilhelm II's oppressive colonial rule at the start of World War 1.

The unbelievable true story of Rudolf Manga Bell, an African king who leads a rebellion against Kaiser Wilhelm II's oppressive colonial rule at the start of World War 1.

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The son of a Vietnam War Veteran must deal with neighborhood bullies as well as his dad's post-traumatic stress disorder while growing up in the deep south in the 1970's.

4分钟。李的感情丰富而有力的对日本袭击珍珠港的描绘，是作为抽象的动画作品展示的。它充分利用柯达胶片可能的色彩，最后，世界被隐喻为黑色的战场。

4分钟。李的感情丰富而有力的对日本袭击珍珠港的描绘，是作为抽象的动画作品展示的。它充分利用柯达胶片可能的色彩，最后，世界被隐喻为黑色的战场。